Log In



   Stay logged in?

Forgot Password?

User Status




Recover Password

Username or Email:

Change Image
Enter the code in the photo at left:

Before We Continue...

Are you absolutely sure you want
to delete this message?

Premium Membership

Upgrade to
Premium Membership!

Renew Your
Premium Membership!


Premium Membership includes the following benefits:

Don't let your Premium Membership expire, or you'll miss out on:

  • Exclusive access to over 1,400 video demonstrations of patterns in the full bronze, silver and gold levels.
  • Access to all previous variations of the week, including full video instruction of man's and lady's parts.
  • Over twice as many videos as basic membership.
  • A completely ad-free experience!


Sponsored Ad

+ View Older Messages

re: Are Competition & Social Dance the Only Choices?
Posted by Matyas
8/22/1999  1:50:00 AM
About not solo performances.

There is such a thing as formation dancing, however I am not sure that many such group prepares only for demonstrations. The first dance club I went to did such demonstrations (that club was against competition dancing.)

In England I went to Tea Dances which were social dance afternoons. There 30% of the dances where kind of choreographed dances where everyone danced the same steps some of them had partner changes.

I think that a social dance club can be a good place to "perform" also. It worked this way In Hungary. Competition dancers filled up usually the floor. Some dance nights were organized right after the competition (there should have been more of that!). A poster here also mentioned that in C&W competitors are active social dancers too.

I think that the problem in ballroom dancing in the US is the low number of people involved in competitions. The reason behind this - IMO - is partly cultural and partly the consequence of Pro-Am which discourages dancers to partner up between each other - and who goes to social dancing with their pro?

The result is that if you go to a social dance it is more probable in the US that you will have a comment like one of the posters said who complained about lack of partners of her level provided you take private lessons and prepare for competitions seriously. In a healthy environment you could find fellow competitors out there near to your level.

I know that some will say that my opinion about Pro-am is an oversimplification, that might be so, I just wish to make the point that it is a kind of Catch 22 situation: lack of partners will support existence of pro-am which in turn dicourages am-am couple dancing which leads to less amateur dancers and so possible partners etc. I do not claim that I have a solution.


re: Are Competition & Social Dance the Only Choices?
Posted by Belle
8/25/1999  1:00:00 PM
In my (limited) experience, pro am does not mean fewer people dance as amateur couples. The pro where I dance is very good but also very expensive. I think most of his students would jump to have a partner at their level (and some do). They would have more practice time that way. Our group has always accepted that individuals do both (makes for a lot of similar costumes though!).

And then there's poor little me, who doesn't have a competition partner and can't afford pro am . Oh well! That's another topic .

re: Are Competition & Social Dance the Only Choices?
Posted by KarenLile
8/25/1999  11:12:00 PM
I have been recently trying a new avenue, or let's say a strategy for getting my needs met as a dancer. I have decided to do several things at once:

1. I am taking a teacher training course with 16 other teacher's in training. It so happens that there are more women than men in the class. But we are all learning lead and follow, so it doesn't matter. This class is giving me experience in learning details about the steps and patterns, as well as talking to a group, selecting music, performing, calling out the count and the steps, etc. This is providing me challenge and interest. It also allows me to progress through all the different levels of the different dances from the leader perspective, which I haven't done before, and I test at the end of each segment, which gives me a sense of accomplishment. The test is predictable and there is no limit as to who can pass it. Anyone who knows all the steps, can perform them well, etc. can pass to the next level.

2. I am social dancing 1 to 2 nights a week, to keep a connection with a group of people and get some good aerobic exersize. This is also an opportunity for me to meet the other teacher's in training and for us to practice what we have been learning on the social dance floor.

3. I have set aside a room in my house where I can practice by myself and with various partners. I meet with another woman in the class who is a teacher in training to go over class material, choreograph routines from the material, discuss technique, etc. This is really rewarding because it she is as interested in the subject as I am.

4. Those of us who are in the teacher training program can take as many of the group classes as they want and weekend parties are free to us. So, I am taking technique classes, as well as dancing leader and follower parts in various classes that catch my interest.

5. I plan to find an ametuer partner to work with at my home studio. This will give me the benefits of working with someone close to my level and we can set some peformance goals. We will probably perform at the 1/2 times of the social dances, since this is an easy and accessible avenue.

6. I plan to select a pro partner to work on choreography for public performances. I will probably have to set up my own performance opportunities. Before when I was doing Pro/Am work with my former teacher, I did not have any other activities to balance my dancing life. And so when he closed his ballroom, it set me adrift for a while.

I now realise that I need many different opportunities to meet my needs. There probably isn't one teacher or partner or ballroom that can meet all my needs . By putting together a mix, it makes it easier for me to be satisfied.

I think that I will go to some competitions sometime in the future and watch how they are set up and operate. I would like to see if I can come up with a plan for a non-competition event that accomplishes the positive goals that the competition is currently achieving, without the competition element.

When those of you who are contributing to this discussion tell your stories about what you like and don't like about the scene out there, it helps me understand more.

Thank you for discussing these things.

Karen E. Lile

Copyright  ©  1997-2018 BallroomDancers.com