Re: Feather Step International Style Posted by Anonymous 2/9/2007 1:52:00 PM
"That doesn`t answer the question. If I arrive late on my second quick. What timing will I use on my Reverse Turn, The music is playing 1234 in that order. In a bar of 4/4 music we have four beats. You or nobody else can make it five or three.."
You still are not understanding the dance.
Nobody is trying to make the bar of music any number of beats other than 4.
But what you are missing is that we are not trying to fit each figure into a bar of music. Instead, we are dancing it over a time equivelent to four beats of music, but a time of four beats THAT DOES NOT ALIGN WITH ANY BAR OF MUSIC OR EVEN ANY FOUR NUMBERED BEATS.
The timing of the reverse turn was, in my measurments, the same as the timing of the feather. Which is to say that the first step landed just before beat two, the second step landed on beat three* and the third step landed in between beats four and one.
*By on beat three, I mean that I used this as the reference point. Everyone thinks the first quick should go there, Quickstep and myself included, so I defined it to be on beat three, and used that to establish the relationship between the music and the movement in order to determine where the other two steps fall.
"If a competitor did wish to hold that third step and alter the timing.If this was to be followed by an Open Telemark they would syncopate the Telemark to, two and three, to come back to normal timing."
No - because they already are dancing "normal timing" by being what you consider "late". The fact you are going to have to face up to sooner or later is that this is the accepted way that foxtrot is danced. Perhaps if going into a bunch of quicks in a weave the timing would shift to land those repeated steps on the beats, but not for SQQ figues as this "late" timing is the ACCEPTED WAY TO DANCE SQQ FIGURES.
"Does that make sense to all of you who aspire to be Technique Book rewritters. Can you imagine writting that third step. As not being on beat 4 or beat 1 but somewhere in between. Show my how you would convey to a student that in a Technique Book."
I don't aspire to rewrite the technique book. This whole subject does not actaully need discussion if it had been left well enough alone. The only reason we have to put a lot of effort into specifying exactly where the third step falls is becasue you felt called to SPREAD ERRONEOUS INFORMATION ABOUT IT. In terms of learning dancing, it would be much better to concentrate on the action, and try to align the first quick with beat three but not align any other footstep - because FOXTROT IS NOT ABOUT FOOT TIMING. Since you unwisely chose to argue for aligning the second quick - a SEVERE ERROR THAT WILL KILL THE NATURE OF FOXTROT - it now becomes necessary to point out PRECISELY WHY YOU ARE WRONG.
It's definitely a case where NOT TALKING ABOUT IT WOULD BE MORE PRODUCTIVE THAN GIVING OUT WRONG INFORMATION. But once wrong information has beeen given out, IT MUST BE SPECIFICALLY CORRECTED.