From the Histoty of Ballroom Dancing. A more sedate form of the V. Waltz was danced at 90 beats per minute, evolved in America about 1834 and was originaly known as the Boston. The Boston has the distinction of being the first Ballroom Dance to be done with the feet parallel rather than turned out in Ballet. The present form of the dance was derived around 1910 in England. Strausse wrote the song The Blue Danube in 1867. Just for the record the demonstration of the Viennese Waltz I saw in Vienna was a distant cousin to the one I know.
I am ripping up my carpet in my house's great room to install a hardwood dance floor. Their are so many choices in wood flooring with solid, manufactured, engineered, strip, various types of wood, bamboo, locking, nail down, floating, etc... Does anyone have any good advice to give me. I do ballroom, swing and country dances and learning more. It will not be a studio but just a place to socialize and practice at home (24' x 12' in size).
I had about the same situation with a Room about 18 X 26. I went with a Master Portable Dance floor as it has its own spring built into it and that way I can remove if I ever move. While it cost more then installing a hardwood floor it provided better options in the long run. It cost about $10 per square foot at the time I bought it compared to around $4:00 per square foot for hardwood. Based on your room size you could do a Maple plywood floor for fairly reasonable $
These postings made me wonder about the various dance studios at which people train, teach or take lessons. I have never been in a studio in which the dance floor was built atop concrete. They have all been on the second floors of buildings for that reason, so as not to be on concrete foundation. But I am certain they do exist, and maybe only the professionals, using it over the long haul, would notice a difference in how their legs were reacting to the surface. Our studio also went with the Pergo surface not long ago, mostly because it is viewed as advantageous for the ballet and hip hop students who are pounding their knees far more than Fox Trot students. It is also less expensive to maintain. I didn't like it as much as the hardwood floor at first, but I have gotten used to it. This post was interesting to me, as I too am tearing up my thin carpeting with practice and lessons I give out of my home.
"I have never been in a studio in which the dance floor was built atop concrete. They have all been on the second floors of buildings for that reason, so as not to be on concrete foundation."
I've been in at least two built on slabs, but they were built/converted by knowledgeable dancers who used a complete flooring system - not just boards on concrete, but something to provide a moisture barrier and compliance under the boards.
Often if the room is very large and the dance floor does not cover all of it, there will be a step up of several cm to get from the surrounding building floor onto the dance floor. Some of today's clip-based systems are even compatible with rented space as you can take the floor apart into component boards and save almost all of them to reinstall elsewhere. The floor isn't actually nailed down, it just sits there, a cm or two smaller than the room if it goes to the walls to allow for expansion.
You can provide a semi-sprung surface for quite modest cost, even over a concrete base.
You need a damp proof layer first (or a completely dry concrete slab which incorporates a damp-proof layer already).
Lay two thicknesses of good quality rubber carpet underlay, and over that a thin layer of plywood or hardboard. Over that, fit inexpensive click-together laminate flooring. The purpose of the plywood/hardboard layer is to spread the load at the laminate joins, so that the rubber underlay gives the floor "spring", without any risk of the floor flexing at the joins (particularly under the weight of a lady's heel. The whole "sandwich" is not too thick, and it doesn't need any permanent fixing, so you can take it up again if you move, or want to renew the rubber underlay.
Augusto Schiavo former World and British Amateur and Professional Champion was invited to deliver a lecture at the IDSF Congress to be held in California.Two days before the event he was uninvited. His crime was he adjudicated an event which was not sactioned by the IDSF. Are the IDSF ruining our dance world. Do they have the right to dictate who we can and cannot work for ?? All of the above is reported on Dancesport UK along with a lot of other strong reports and comments. The tactics being used after the court case in Holland is to pressure the different affiliated Societies to do their dirty work. If any of this appears to be not correct please criticize
Thank you very much for your help. My partner and I start with the Nat. spin turn ended backing diag.centre, then dance 4-6 of Reverse turn ended facing LOD into a Closed Telemark ended facing diag. wall, followed by a RF Closed change OP turned ¼ to the right into a Whisk turned ¼ to the left into a Chasse from PP. We recently moved to another town and our new dance teacher disagrees with this part of our Waltz routine. She says that 1. the Closed Telemark should start facing diag. centre and turn less (1/4) and when I dance it this way, I really feel more comfortable and we don't finish side by side; 2. there is no turn on the Closed change and it shouldn't be danced OP. I would very much appreciate your opinion.
First.. I would not suggest commencing a basic sequence with a spin turn ( at a corner or LOD ). You have essentially created a " stationary " figure when your objective should be " flight ". Use variations that are going to move you down the LOD either thru the use of Nat and Rev turns and or standard whisks and chasses. A DR spin needs to be included .
The closed tele. leaves too much room for error .
The key to your level of comp. is good clean footwork and variations that are rhythmical and on time .
having personally installed more dance floors than I care to remember, even for the purpose you are stating.
I have worked in studios, many times , with " artificial" flooring. This material was NEVER designed for dance use. It is often used for economic reasons , and I can tell you from 1st hand experience, no matter the care, it WILL detereorate eventually.
The investment in wood does 2 things.. both important.. 1.. great surface on which to dance ..2.. add value to the room and the house .
Sprung floors are relatively easy to instal .The choice of hard wood is as much about cost, as it is about longevity . Most woods will outlive all of us if properly treated .Maple and oak would top my list .
Do NOT put polyurethane on the finished floor. A good parafin wax is all that it needs . Go to a lumber yard for material NOT to a DYI or chain outlet.. you will get a better price for volume .( and advice )
"First.. I would not suggest commencing a basic sequence with a spin turn ( at a corner or LOD ). You have essentially created a " stationary " figure when your objective should be " flight "."
An overturned spin turn however will progress. And do so more smoothly than almost anyone can dance the back half of a natural turn.
"A DR spin needs to be included ."
I would not recommend doing a double reverse spin unless you can do it very well. By the time someone can do it well, they do not usually fit into the community of bronze dancers. Think of it like foxtrot: in theory bronze (internationl) foxtrot exists, but in practice it is almost never offered in sanctioned competition.