The man is stepping backwards on 4, but the character of the movement requires that he retains control. The THT footwork (with the heel only 'just' coming into contact with the floor) before rising back to the toe to step to another toe on 5 allows this control, and slows the man's flight down, to make it easier for the lady to now turn around him. In particular, having made a proper inside turn action between 4 & 5 (with a pointing alignment of LF), the man waits for the lady to come around, before slipping the RF OP in CBMP, leaving the body underturned, before stepping again (typically into a Three Step) with CBM.